“Sweet, fresh-faced Andy Zimmermann presented the perfect visage of the dashing young Prince Tamino, the plot’s protagonist, and his clear, well-focused tenor—pure delight in his signature aria “Dies Bildnis ist bezaubernd schön”—suggested just enough Italianate edge to make it endearing but not overbearing in the manner of the bloated tenor romantic leads so adored by 19th-century opera composers.”
